"Little is known of Albin’s early life, though he was probably born in Germany to a family named Weiss. By 1708 he had changed his surname to Albin and was living in London with his family. His profession of art teacher led him to the close observation of the natural world, reinforced by painting work which he undertook for the naturalist Joseph Dandridge (1665–1747), who collected insects and observed their metamorphosis from egg to fly. He also drew natural-history subjects for Sir Hans Sloane, before gaining the patronage of the Dowager Duchess of Beaufort, who encouraged him to compose the present work. An advertisement went out in about 1713 entitled 'Proposals for Printing by subscription a natural history of English insects', but the first edition did not materialise until 1720, owing chiefly to the early death of the Dowager Beaufort and the slow rate of subscriptions. Albin prided himself on his visual accuracy, stating in his introduction that his drawings were copied after life, unlike those of other illustrators, who "either did not look often enough at their Pattern, or affected to make the Picture outdo Nature". The work was published with black and white copper plates, which could be coloured on request by the author. His description of the cabbage white includes all stages of its life cycle, from caterpillar via chrysalis to butterfly, what they like to eat, and how to control them. Albin’s publication was supported by his circle of patrons and colleagues – members of the Beaufort family, Joseph Dandridge and Hans Sloane – as well as by Caroline, Princess of Wales, to whom the work was dedicated. William Derham, the editor, was a Fellow of the Royal Society, and the first to measure the speed of sound with reasonable accuracy. Text adapted from The First Georgians; Art and Monarchy 1714 - 1760, London, 2014" (https://www.rct.uk/collection/1057018/a-natural-history-of-english-insects, accessed 12-2021).

Digital facsimile from Biodiversity Heritage Library at this link.

This was the first English bird book issued with hand-colored plates, colored by Albin and his daughter Elizabeth. "For the most part Albin delineated one bird per plate. The birds are placed on a branch or on the ground, each part coloured. The proportions of the birds are a distinct improvment on those in Willoughby and Ray... Albin produced his paints in a rather strange manner according to Petiver’s account. For his reds he washed and dried vermilion pigment in four waters and then proceeded to “grind it in boys urine three times, yn [then] gum arabic it and grind it in Brandy wine.” Whatever his methods and however singular the contribution by his sons, this very first effort at colouring plates depicting birds is highly commendable and the results were gratifying, for the book was popular." (Jackson, Bird Etchings).

From 1738 to 1740 Albin published a second issue of this work with the plates apparently colored entirely by himself, as those title pages read, "exactly colour'd by the Author" instead of "carefully colour'd by his daughter and self."

Digital facsimile from Biodiversity Heritage Library at this link.