Casseri, originally a servant to Fabrizio, was personally trained by his employer and eventually succeeded to Fabrizio’s chair of anatomy. Like Fabrizio, who studied the development of the chick for clues to human embryology, Casseri endeavored to explain the human larynx and ear by reference to the lower animals. He investigated the structure of the auditory and vocal organs in most of the domestic animals. The book includes a description of the larynx more accurate than that of any previous author, and is also notable for its fine copperplate engravings, masterpieces of anatomical art. The elaborate engraved title page is particularly spectacular. Translation of chap. I-VIII , The larynx, organ of voice by Malcolm H. Hast and Erling B. Holtsmark with preface and anatomical notes in Acta otol. (Stockh.),1969, Suppl. 261.

First publication of the very beautiful copperplates engraved by Francesco Valesio after Odoardo Fialetti, a pupil of Titian. Casseri commissioned these plates covering the whole field of human anatomy for his unfinished masterwork entitled Theatrum anatomicum. For this publication, the editor, Daniel Rindfleisch (Bucretius) added another 20 plates by the same artist/engraver team. See No. 61.2.